Astraea’s Multi-Gendered Work (repost from 2011)

WHERE: USA – New York

I first encountered the work of Astraea in 2007. I was living in Egypt and met some of the sexuality rights movement-builders from the Arab region when they passed through Cairo. One such pioneer, Rauda Marcos, co-founded Aswat, a Palestinian Lesbian Women’s organization. She told me about Aswat’s work, which is made possible both by members’ determination and funding from Astraea. Aswat members held community clean-up days taking care of their neighborhoods and leading by example.  According to Rauda, the first step was to show strength in numbers.  Community clean-up days were a simple tactic to be out, proud and present in the community.

When I first read Astraea’s mission, I remember asking myself for the first time, what does it mean for me, Todd Lester, to be an allied community member? What roles can gay men play in supporting LGBTQI organizations that are committed to the leadership of lesbians, queer women and transgender people? How are our struggles interconnected?

History answers some of these questions for me: When the AIDS crisis hit my community in full force in the 1980s, it was nothing less than devastating. But amid this devastation, the lesbian community showed up for their gay brothers in our living rooms as care-givers and on the streets leading ACT UP demonstrations to demand our meds (see footnote 1). In 1995, the Brothers for Sisters campaign emerged in the Bay Area as a way for men to give back to the women’s community who had been the first to step up when HIV ravaged San Francisco’s gay community. This history of showing up women for gay men and, in turn, men for lesbians resonated with the showing up and being present that Rauda was talking about with Aswat’s community service days.

Why is it important for me to show up? When I was in Cairo, I learned about a support network of lesbians and transgender women from diverse backgrounds who would meet in private homes around Cairo. I became close friends with Kholoud, the network’s coordinator, another brave LGBTQI leader in the Arab region.  She told me she is often mistaken for a gay man and thus harassed relentlessly. On these occasions, she regains her safety by letting people know she is a woman. And yet in other circumstances, she is thought to be a man and receives positive attention until onlookers realize she is a woman and become aggressive and sometimes violent.  There is no way for her to simply be herself without the expectations of others curtailing her freedom to live, work and socialize.

Witnessing the challenges Kholoud faces on a daily basis in her life and work helped me understand the need for allies and highlighted who I am already in community with. Seeing these daily moments of courage by others being who they are and negotiating their identities reminds us all of our complex and shared histories.

I remember growing up in the rural South, in Tennessee, and tactically instinctually learning how to pass as straight in order to stay safe from all the threatening and volatile forces that my young mind sensed around me.  Flash forward to today: I’m living in New York City at a time when I feel comfortable presenting and carrying myself in any way I so choose. When I am sharing spaces with people socially or at work we understand and celebrate our uniqueness casually. Our differences are not the first thing we focus on.

But still, what is my role as a gay white man living in the US conditions that usually mean I can walk down the street and not worry about being harassed or experience the ramifications of standing out? For starters, I can remember, stand with and financially support my allied community members in their work all over the world. By doing so, it means I don’t take my own good circumstances for granted. And an active way for me to do that has been to join this team to create the resources for the next phase of Astraea’s important work.

Around the world, gay, lesbian and transgender communities share a history of movement-building. And were it not for the connections we carved out to support one another and work hand-in-hand in the past, we would not be where we are in the present, making strides in LGBTQI justice. Being part of the diverse, informed and strategic community of donors across the economic spectrum that support Astraea is a tangible way for me to show up. As a global funder, Astraea funds organizations in the Middle East working for LGBTQI rights, as well as those in under-resourced communities in the US, including some in the rural South.

Astraea’s mission is based on an enduring commitment to feminism, progressive social change and an end to all forms of exploitation and discrimination based on race, age, sex, religion, sexual orientation, gender identity, class, physical and mental ability, anti-Semitism, and other such factors. Together, we are transforming the social justice landscape for LGBTQI people around the world.

This is why I say that Astraea is a foundation who knows who she is! It is also why, for me, as a gay man, supporting her is a vehicle for me to show up, across the globe, standing in partnership with my friends and allies.  I am confident that this is the way forward, and I’m asking other men to stand with Astraea in her work for freedom for us all.

by Todd Lester

Footnote 1: For more on this history, be sure to check out We Were There, a film in progress that just received Astraea funding through the U.S. Annual Fund.

__________________________

Originally published on Dec. 21 2011, here.

Democracia é o tema da Parada do Orgulho LGBT de São Paulo em 2020 e HIV/AIDS é o tema de 2021

A Associação da Parada do Orgulho LGBT de São Paulo, ONG responsável pela maior Parada LGBT do Mundo, vem comunicar que após reuniões realizadas nos meses de Novembro e Dezembro/2019, com a participação da Sociedade Civil (mediante convite e inscrição prévia) e das Pessoas Associadas, onde resultaram na sugestão e seleção de dois temas como os mais votados: DEMOCRACIA e HIV/AIDS, na data de ontem (09/01/2020), após explanação pelos defensores dos referidos temas, e após votação dos Associados presentes*, o tema escolhido para a 24a Parada do Orgulho LGBT de São Paulo 2020 é DEMOCRACIA, tendo em vista todo cenário político e social, com o desmonte nas áreas da saúde, na educação e na cultura, que não só atinge a comunidade LGBT, e sim toda sociedade.

Também ficou deliberado pelos Associados presentes, que o tema HIV/AIDS será o tema da 25a Parada do Orgulho LGBT de São Paulo em 2021, ano no qual lembraremos os 40 anos do surgimento do HIV/AIDS.

A APOGLBT/SP em parceria com seus Associados, Parceiros e Apoiadores, começa a partir de agora a trabalhar os dois temas durante todo o ano de 2020.

Atenciosamente,

Diretoria da Associação da APOGLBT/SP

www.paradasp.org.br

*a partir de 2020, os convites para as reuniões sobre o tema serão realizados apenas para os Associados da APOGLBT/SP, clique aqui e Associe-se.

__________________________________

Texto originalmente publicado no dia 10/01/2020, aqui.

ELE

I.

Levantou-se. Dentro da privada, mescla de prazer e necessidade. A. se viu refletido no espelho pela primeira vez. Olhos ainda vermelhos, cabelo desgrenhado, suor na face e no torso nu. Ela abriu o chuveiro e, dessa vez, foi ágil ao manejar a temperatura da água. Sorriu. Pegou a primeira toalha disponível. Macia. Enxugou-se sem pressa, mas determinado. Toalha amarrada na cintura, encaminhou-se em direção à sala. Da escada, podia ver o outro deitado no sofá. Êxtase. Preguiça. Conforto. Um baseado no canto de sua boca, pronto para ser fumado. Sorriso. “Meu namorado tem esse mesmo pudor”, disse, com uma naturalidade desconcertante, sem se mexer do sofá. “Namorado?”, pensou A. Não deixou o pensamento, a revelação, chegar a superfície de seus gestos. Não estava surpreso. Nem triste. Sentou do lado do acompanhante, tomou-lhe o baseado e fumou. Da porta, permitiram-se um último beijo. A intimidade da última hora parecia pender em uma corda bamba. A despedida era inevitável. E mesmo assim um ritual estranho para A. Para o outro era o oposto. Ainda nu, pressionou-o para um último abraço, beijo, amasso. Apertou-lhe a bunda e disparou: “É natural?”. A. sorriu amarelo. O acompanhante não percebeu. “Genética”, disse, displicente. Porta fechada. Na rua, sacou de um bolso o celular. Notificações aleatórias. Do outro bolso, o fone de ouvido. A. precisava de um estímulo para marchar para casa. Encontrou a música e seguiu.

“I like digging holes and hiding things inside them
When I’ll grow old, I hope I won’t forget to find them
‘Cause I’ve got memories and travel like gypsies in the night
I build a home and wait for someone to tear it down
Then pack it up in boxes, head for the next…”


See also, by Alberto Pereira Jr:

#movingtarget

Please, touch me (PT/EN)

Socket Wrench

[*A few years ago (2013), graphic artist Beldan Sezen was in the Netherlands and needed some quick photos of a historic scene. The graphic short she was making is called HOMOE, set in 1964 pre-Stonewall NYC, about a man remembering the homophobic murder of his neighbor “back in the day.” We decided to trade my photo-taking for some design work on a concept I sent to the Bill & Melinda Gates Foundation called Socket Wrench.]

BREAKING NEWS:  Beldan & I retrofitted our unsuccessful Gates proposal (and design) for Visual AIDS: Postcard from the Edge Benefit!  Here’s more about the event!!

For my 40th birthday, I designed a condom!  I had read about a challenge by the Gates Foundation to Develop the Next Generation of Condom, and figured, why not?

I put forward a proposal to design a condom that emulates the feel of an uncircumcised penis.  My friend, artist, Beldan Sezen helped to design a prototype of the condom to go along with my hypothesis.  In the application, I offered a concrete, non-rational-choice-influenced innovation toward improved condomization.  I also thanked the Gates Foundation for being progressive in the field of public health while asking them to transcend their hetero-normative, scientific-model constrained approach.  See their open call and guidelines.

While Beldan and I were cooking this up across timezones (she’s in Amsterdam), I became nostalgic thinking about a project I did back in 2002 right after I finished my Peace Corps service in Cameroon:  While in the Peace Corps, I worked with organizations such as UNICEF and Population Services International (PSI) to make a community radio series on youth sexuality and other issues in the rural province where I was stationed. One night I was at a party with the PSI director in the capital city, Yaoundé and he asked me what I was doing next.  I didn’t know what I was doing next and therefore he proposed that I go to Bangui, capital of the Central African Republic and make a radio spot and TV commercial for the rebranding of their socially-marketed condom.  So, for the next three weeks that’s just what I did.  The resulting product was a bilingual (French and Sango) marketing campaign that consisted of radio and TV content and billboard images; however just after I left civil war erupted and the marketing campaign was never used … Guess what I just found on VHS tape?

You can find original content here.

considering attach-ability (#2)

hi guys,

So, I’ve had an idea for you both for around 6 months now and have regrettably failed to share it in a robust form. I would like to do so now. 

We may thank Brad Walrond for texting with me overnight (why he was awake, I do not know:).  Jonathan, Brad archives Pony’s work and/or that of his house.

Jonathan, remember when I mentioned I wanted to talk to you on insta the other day. Well, maybe we can do that in person on February 9th. I want to invite you to a performance at the home of Livia Alexander. It is rumored that Brad will perform there/then. Pony, you are most welcome also. 

Pony is the maker/father/legend of the House of Zion. Jonathan I presume you know a bit about the NYC and global ballroom/voguing houses. 

Pony, do you know Battery Dance?  BD is a lot of things. If I may: anchor dance/thought leader in downtown (for how long now, Jonathan?); key role in post 9/11 ‘being’ in downtown; cultural diplomacy/choreography/peacebuilding/dance … Well, they have a site where you can read all this:)

They use a tagline, ‘Dancing to Connect’, and I do feel that is an understatement!

Jonathan, Pony’s is a very special house. In 2015/16 I began researching types of exchange in ballroom thinking about local work I was seeing in São Paulo on HIV, public health access, and other right to the city concerns. Just before this period, I contracted HIV in São Paulo. So that also made the site of Lanchonete.org (a project on the right to the city) likely to consider HIV as one of its themes. We did this through Cidade Queer, a year-long series of encounters in 2016. I visited a site in Lecce, Italy to see Pony offering a workshop, and shortly after invited him to be a part of Cidade Queer and its culmination in late 2016. After a group production of the first ball (of its size) in São Paulo (called Ataque, September 2016)–something made by many people at once–Pony invited a Brazilian mother and father to take the reins of the new House of Zion-Brasil. 

In 2019, Pony returned to visit the house (along with Brad Walrond), and participated in the Ball: Vera Verão put on by Coletivo Amem and House of Zion-Brasil. I think perhaps Brad will perform the (not same:) 1986 piece on Feb. 9 that he did at this ball. 

In fact, Jonathan, I think I introduced you to the Coletivo Amem / House of Zion-Brasil guys on e-mail once. It was around the time that I first had this idea…the one that is coming. But also Pony was a part of the launch of my project Luv ’til it Hurts on HIV and stigma (back in October 2018), as was Brad. This collaboration led to their visit in January 2019.



I remember this email because I spoke of dancers and choreographers in the ballroom world ‘aging out’ … like that moment when the body won’t give the same as before. Of course this is different for each person, each dancer. 

These encounters–2015, 2016, 2018, 2019–allowed Pony and I the time to get to know each other. And, now I follow him on Insta:) Pony, am I right to say that VogueFitness is taking off? And, dude, you are looking buff!!

I remember what you told me of your idea. I luved it!! I hope I can ask you to share it here with Jonathan (and me again) … as I’m sure it’s changed / developed a bit since we last talked. 

Jonathan, it would not surprise me if you have also thought of concepts and solutions on this broad spectrum of wellness, professional transition support, public health issues, NYC, fitness … wellness. 

So, what I’m proposing is that you two guys might have things to talk about, ideas to make together. That is if you don’t already know each other. Uptown … Downtown.

Recently I was talking to a festival curator about a possible LUV ‘entry’ late this year. I don’t really have anything to offer. I have ideas, but some are limited by living far away in São Paulo. 

You know that place where ideas reside, usually early in the morning. An idea was there, and it recurred some times. If you two came up with a concept, perhaps LUV could present it to the or at the festival. Or vice versa. I don’t know. 

Would you guys have time to speak about this the first couple weeks in February and, please mark Sunday Feb 9 (LUV Iemanjá) on your calendars … if you are around?

luv

todd

remembering my first AIDS work

I cannot remember what was my first AIDS work. It was either flying from Cameroon to South Africa with my wife (at the time) to attend and volunteer at the Durban AIDS Conference in 2000, or walking with Minette and ‘her girls’ on International AIDS Day (1999 or 2000?) on the dirt roads of Batouri in the East Province of Cameroon. 

The AIDS Conference was heady given its location. I remember talks by both Nelson and Winnie Mandela as well as Justice Edwin Cameron. Among other things. Zackie Achmat and the Treatment Action Campaign loom large in my memory. 

Minette befriended my wife and I soon after we arrived in Batouri as Peace Corps Volunteers. She is a madame and had the most prominently placed bar for truckers to meet ‘her girls’ (as she called them). She is also a very good cook. As I was passing straight at the time, and newly speaking French, I guess there was some flirtation that transpired between she and I. HIV/AIDS was not our official work as volunteers, but we ended up doing a lot on it in those years (1999-2002). I would move to Bangui (Central African Republic) for a while at the end of our stay to make a project for Population Services International. The regional director (based in Yaoundé whose wife ran the chimpanzee sanctuary near Batouri, and closer to where the Chad-Cameroon pipeline was ‘coming through’ and spiking HIV rates as large construction projects can) noticed what I was doing in Batouri and Bertoua at the intersection of public health and media. We drank together one night and he almost dared me to go to CAR to make a multimedia campaign (TV, radio, billboard) in both Sango and French for their new ‘socially marketed’ condom. I accepted and then called him the next day excitedly to make sure he wasn’t bluffing … or remembered what he offered. This is of course where I fawned over Eriq Ebouaney at the hotel bar during the making of  Le silence de la forêt

My wife and I (small/medium business vols) banded together with water sanitation, English and health volunteers living nearby to make public health programming, and specifically HIV/AIDS sensitization. She was already quite focused on her public health career. At the end of our term, it was with PSI and UNICEF that we had a province-wide cultural festival in Bertoua on World AIDS Day. Jay and I traveled from Yaoundé by bus and there is the picture of him in a blow-up pool in the group house in the provincial capital, Bertoua… where it could get quite hot. 

On World AIDS Day (in 1999 or 2000) we walked a square (or the square) of the town. We marched even. We had AIDS Day t-shirts. And, maybe Minette had a banner with the name of her ‘association’. The sex workers who worked for Minette liked us too. We shared mutual respect, I remember. They helped new gringos feel welcome in a small, rough logging town. Minette is a good cook. 

Once I went there with our tupperware to get some lunch. Maybe I was getting it for Bethani too, or maybe just me. Minette called me into her bedroom, the room adjacent to kitchen /serving room. She lifted up the mattress on her single bed. It reminded me of a time my father tried to enthuse me by letting me get close to a still-writhing poisonous snake he’d just killed. When it startled me instead. 

I don’t know what Minette was serving that day (usually one domestic and one bush meat with fixings). Under her mattress was a hobbled Pangolin. She wanted me to see what would be for supper. 

*See HIV-related activities in relation to Lanchonete.org: Arte, Saúde Pública e Estratégias de enfrentamento à Epidemia da Aids and Vidas/corpos com HIV.

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