Homage to a Work Group

Luv ’til it Hurts was at first a two-year project, and is now something much more. I admit that I don’t want to limit its future potential by saying what it is/isn’t or what it’s become. However, there are three ways to clearly ‘see it’. In a recent grant application, I described our group of three coordinators (Brad Walrond, Paula Nishijima & myself) as a ‘working group’. Brad suggested ‘The Work Group’ instead, and the name has stuck. A traveling group show called EXQUISITE CORPSE has been conceived by The Work Group. And, I continue to develop the LUV Fund, an apparatus to deliver faster resources to HIV-related cultural activism, as well as to acknowledge the role of the artist in public health & social movements pertaining to HIV/AIDS. With such a lofty title as The Work Group, it is incumbent on us to say what we do. Our new website is forthcoming, and that explains us rather well. In the meantime, I’ve taken ‘a stab’ at explaining who we are and what we do:

A WORK GROUP

Luv ‘til it Hurts is a work group composed of Brad Walrond, Paula Nishijima & Todd Lanier Lester. Its outputs are collectively authored. 

LUV ‘til it Hurts is action research, insomuch as a methodological discussion transpires amongst artists pertaining to curating, institutional critique, mutual aid and general peership. 

It’s a constituency inviting others working on HIV and health to join their issues in a new configuration. We use this mothership as omnibus for visiting other hurts and stigmas such as those newly afoot with COVID-19. However, ‘pandemics’ is not a theme we wish to be limited by in the future.

It is a gesture to art institutions desiring their socially-engaged exhibits to come from deep dialogues with frontline activists … and in this way, it is also a feedback loop.  

WORK GROUP GOALS

  • Understanding artist-led activism by examining its process (e.g. interviews, site visits, collaborative productions) in order that such intimacy is reflected in both the exhibition and archiving of works; 
  • Making EXQUISITE CORPSE, an exhibition of approximately 20 international artists working on HIV & Stigma. Envisioned as a traveling show for which each new encounter stimulates a ‘swarm-like’ evolution of the show and expansion of the archive, EXQUISITE CORPSE invites local artists and activists to help tailor the show’s public programme for their ‘home turf’;
  • Considering the financial and political economies of art exhibition, EXQUISITE CORPSE proposes a ‘venue network’ through which both expography costs and lessons learned may be shared; 
  • Applying techniques and tools from their individual practices, the WORK GROUP encourages rhizomatic offshoots from the overall EXQUISITE CORPSE process (e.g. R&D, online extension, archiving, co-authored texts, venue network, community engagement, public progarmme- & exhibition-making) whereby one set of interactions generates the next. Game of Swarms, Every Where Alien’s Poetics + Pandemics open mic series and The LUV Fund are all examples;
  • Using technology to sidestep / undo / backmask algorithms that mimic market desires and further entrench dominant cultural precepts.

ITEMS INCLUDED IN HANDOVER FROM INDIVIDUAL PROJECT TO GROUP PROCESS

  • A draft proposal that explains our work and can be tailored to host institutions (for EXQUISITE CORPSE) and/or foundations, which can support our ‘work’;
  • A suite of administrative documents to include, but not limited to a venue list, foundation list, and budget samples;
  • An online dashboard and filing system; this includes calendar, artist portfolios, collectively-authored texts, and design tools (such as LUV letterhead).

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