Field Notes

LUV, a timeline

Image by Sebastien Sanz de Santamaria In January 2018 and speaking on freeDimensional, I was invited to give a co-keynote address on day two of the 10th Anniversary Celebration of the Centre for Applied Human Rights @ York University. And while I now realize the ‘second day’ programme (of thinkers from the art camp vs. the human rights…

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If I had a bit more time…

Image by Todd Lanier Lester  In Why Make an ‘Open Work’? I begin to discuss DURATION, and why a project like LUV would have an initial, formal (albeit arbitrary) two-year timeframe. Lately, I’ve been sifting through scraps of paper, contacts and ideas for articles. Luv ’til it Hurts is in the process of transforming itself into a new…

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Biography – Leaves

Eric RheinFrank the Visionkeeper (Frank Moore 1956-2002)(from Leaves, an AIDS Memorial)2013, wire and paper, 16”x13”x2” 1. There are more than 300 individuals represented in Leaves. I say more than 300 because I know that there are more than 300, but it’s  challenging for me to keep track. When I started the project in 1996 I set…

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Biography – Hummingbirds

Eric RheinHummingbirds – Installation of Six2016, wire and paper, (each one is 16”x13”x2”) For Eric Rhein there is a metaphysical aspect to creating his wire drawings of hummingbirds and having them go out into the world. “The Aztecs believed that hummingbirds were the reincarnation of warriors, and that their presence had the ability to transform…

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I wanted to elaborate more on the concept of ‘transcendence’

Image: ‘Hummingbirds’ (Installation of 6), 2016, by artist Eric Rhein I wanted to elaborate more on the concept of ’transcendence’, mostly because I have some reservations about it. BUT, the fact that HIV is a disease that you live with took me to the place of transcendence. I departed from Eric’s work and paid especial attention to it. The aesthetics…

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Steal This Game

‘Stealing’ the LUV Game is a bit easier than Hoffman’s book. It is free to begin with. I tell the story of how the LUV Game came about first as an idea from a young Egyptian designer in a description of ACT I, considering how one might discuss (or signal a safe discussion on) HIV in a place like…

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Relatoría última sesión Luciérnagas – Last Luciérnagas Session Report

Image taken at Oct 25 (2019) Luciérnagas performance Before the presentation we did some in situ rehearsals, although they were never enough, we did them. The Botanical Garden is a very bureaucratic institution and it was difficult to manage the space for more preparations. For these last sessions we got together Eudes Toncel, a Guajiro Colombian…

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What I’m learning about participatory art; #LPW2020, pre-B & Elpenor method, #2

This year Love Positive Women is so big for us it constitutes an ACT … Act 1.5 to be exact. The acts are dramaturgically useful for steering Luv ’til it Hurts toward its endpoint in mid-2020, and in that way reveal various ‘assemblages’ (or intense clusters) along the two-year course. While the ‘business plan’ of ACT II is…

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Please, touch me (PT/EN)

[*Alberto Pereira Jr. first made ‘Please, touch me’ for a 2019 workshop in São Paulo. His production notes are the third in a series that also includes a project abstract #movingtarget and creative writing, ELE. xo, Todd] PT Instigado por um workshop realizado no instituto Itaú Cultural, sobre estigma e produção artística contemporânea em relação…

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Relatoría Sesión #7 – Cuerpos Fluidos

Laboratorio LuciérnagasRelatoría 7 septiembresesión #7cuerpos fluidosartista invitado: Juan Manuel Mosqueralugar: Jardín Botánico de Bogotá TallerExploración de las posibilidades expresivas del cuerpo a partir de un reconocimiento y una apertura del espacio sensible. ActividadesReconocer y explorar las tres llaves del espacio sensible: el peso del cuerpo, sentir y hacer consciente la respiración y permitir la consciencia…

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Relatoría Sesión #6 – Disidencia Sonora

Laboratorio Luciérnagas Relatoría 24 Agosto sesión #6 disidencia sonora artista invitado: Mauricio Rivera Henao lugar: Adorno – Liberia Relatoría: Mauricio Rivera es artista sonoro, también trabaja con video e instalaciones. Tiene una pregunta constante por el territorio. Disidencia = contra hegemónico Obra: un diálogo con el lago Titicaca Paisaje sonoro: retratar los paisajes en término…

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Relatoría Sesión #4 – Arte / Fronteras

Laboratorio Luciérnagas Relatoría 27 Julio sesión #4    Arte y fronteras políticas Invitadas: Melissa Guevara Artista Laura Echeverri Abogada derechos humanos Relatoría: Melisa Guevara es artista Salvadoreña. Habló del libro “Luciérnagas en el Mozote” que contiene narraciones y testimonios sobre la masacre (1981) mas grande que ha sucedió en américa latina, 900 muertos perpetrados por…

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Relatoría Sesión #1 – Contexto del cuerpo en las Artes

Laboratorio LuciérnagasRelatoría 15 junio sesión #1 Contexto del cuerpo en las Artes (para artistas y no artistas) Escuchamos la pieza sonora de John Cage “canción para Marcel Duchamp”.Hicimos cuadernos de notas para tomar anotaciones.¿Por qué del laboratorio? Lineamientos.Cada uno habló de cómo se relaciona con los contenidos del laboratorioContexto del cuerpo en las artes: Body…

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Fault Lines

Luv ’til it Hurts is the third in a series of durational, multi-stakeholder, rights-focused art works: freeDimensional (2003-12), Lanchonete.org (2013-17), and LUV (2018-20). In Why Make an ‘Open Work’? I discuss some of the logic around stakeholder recruitment. Between the first and second, the first and third, and the second and third projects, I have invited cross-over stakeholders. For example, Adham…

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Why Make an ‘Open Work’?

I launched Luv ’til it Hurts, a long-considered project on HIV and stigma in July 2018. The project goes through the middle of 2020 officially, and yet I’m also quite interested in the afterlife of projects. DURATION is important to me for reasons I’ll explain later, and based on specific methods drawn from the community…

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